Virginia, United States
I guess you could say I was born an artist! My intrinsic artistic abilities appeared around the age of 1½ years old when I began scribbling colorful imagery on my bedroom walls, later carving designs and cryptic messages on my parent’s fine furniture. Over the years, I have continued my artistic endeavors working as a monotype printmaker, encaustic painter, and mixed media artist.

Saturday, January 4, 2025

Painting With Fire 2025 with Gina Louthian-Stanley


Good day friends,

I’m super excited to be invited back for my second year as a featured artist and instructor in Painting with Fire!

Thanks for purchasing a previous session from me.

I hope you'll choose to purchase Painting With Fire 2024 through my affiliate link, https://tinyurl.com/bderucze. You’ll also find that link on my website www.ginalouthain-stanley.com, email, and social media as well as updates on classes and workshops. 

BONUS: My 2024 bonus is a chance to win one of 5 creative coaching sessions with me! We’ll chat one-on-one over Zoom about any art topic of your choice for 30-minutes. I’m excited to connect and help. When you join PWF, you will also get materials discounts, a private facebook page where we can all connect and gather support, and more. 

I look forward to sharing another year of exciting classes, great artists, and an encouraging online community.Don’t worry if you haven’t watched all of the classes from the previous season(s). You’re not behind! Think of it as instant access to a reference library with lifetime access to instruction and advice from professional artists around the world. I hope to create with you this year. 



Here are the lessons I will be teaching:

Intuitive Nature!

These lessons will focus on the use of thumbnail sketching and viewfinder technique, specifically for observing and considering nature at a variety of scales. 

We will begin in the garden looking at the flowers and foliage creating thumbnails in our sketchbooks. 

We will then take those thumbnails and we will add color using collage and a variety of materials. 

 

 

Lesson Two: 

Intuitive Nature - Part 2

From the ‘Thumb’ to the Substrate. 

We will return to our sketchbooks from Intuitive Nature Part 1 and choose an image(s) and create on to the substrate using encaustic mediums and pigments along with 

mixed media and a plethora of tools to create and enhance our pieces to create the cultivation and evolution of our own botanical visualizations. 






Encaustic and Cold Wax and Oil Classes, Multiple Techniques Available in Roanoke, Virginia 2025

I have decided to begin teaching encaustic and cold wax and oil primarily 

in Roanoke, Va, my hometown. 

I will be traveling some to various states this year, 

but I have had a lot of creatives ask me about classes locally. 

Below are the classes I have scheduled as of this point and I will be adding more. 

I will also be doing some drawing and painting classes. 

If there's something you are interested in, just reach out. 

Happy New Creative Year!


Class Listings:

Check out my website for contact info.

www.ginalouthian-stanley.com


  • ​3-D Encaustic Sculpture-January 18 and 19, 2025, 10 am-4 pm FULL (email to get on waitlist)

  • Encaustic Monotype Printmaking February 1-2, 2025, 10 am-3 pm

  • Cold Wax and Oil Alchemy-February 7, 8, and 9, 2025, 10 am-3 pm (1 slot open)

  • Beginning Encaustic-March 1-2, 2025, 10 am-3 pm FULL (email to get on waitlist)

  • Beginning Encaustic-March 15 and 16, 2025, 10 am-3 pm

  • Wednesday, December 25, 2024

    Winter Light (C)             watercolor by gls

    Wishing you a Very Warm and Wonderful Holiday Season!

     

    Here’s to a hopeful 2025!

    I hope it brings you excitement, inspiration, and (of course) a whole lot of art-making!

    One of my goals this year is to ​find ways to improve my own skills, 

    perhaps by taking a class or two. In addition, I will continue working 

    on my home studio to better organize the space for upcoming 

    classes and workshops​ o that I can offer a safe quiet space for anyone 

    who requests ​my assistance along their journey. 

     

    T​hank you again for being part of my year!

    Wishing you a continued creative journey and energized New Year to you!

     

    Happy Holidays!

    Gina

     

     

     

     

     

     E​njoy some of the  ​ideas ​below to ​fuel Creativity For Everyone  (C) by gls 


    1. Definition Of Creativity
    What is creativity, exactly? The use of imagination or original ideas to create something.
    AND​ the ability to transcend traditional ideas, rules, patterns, relationships, or the like, and to create meaningful new ideas, forms, methods, interpretations, etc.
    So at its most basic, creativity is simply the act of creating something that didn't exist before.
    Where and how and with what materials you apply creativity is up to you.
    It could be anything. There are no limits to the areas where creativity can be used.


    2. Follow Your Natural Talents
    You can obviously apply your creativity in whatever area or areas you choose, but you'll get the biggest joy if you follow your natural​ instincts and talents. 

    Having talent in a particular area simply means that it's easier for you to learn the necessary skills than it is for someone whose talents lie in a different area. 

    Start where you feel comfortable!


    3. Go With the Grit!

    Natural talent will give you a boost, but talent alone won't cut it. Creative endeavors often come with challenges.
    You might be intimidated by needing to learn new skills. You might struggle with perfectionism and fear of failure. You might be battling the real-world demands 

    of work and family when trying to find time to pursue your craft. You might get frustrated when your painting doesn't materialize exactly the way you imagined. 

    You might be terrified of releasing your creation out into the world and making yourself vulnerable to rejection.
    To overcome these kinds of challenges, you need grit. Grit is a combination of passion and perseverance that enables you to persist in the face of obstacles.
    Simply put, you need to love what you do and be too stubborn to quit. This is a big part of being successful. Never give up!
    For more on this topic, check out Angela Duckworth's wonderful book
    Grit: The Power of Passion and Perseverance .
    (This also is reflected in # 5 )


    4. Try, Try, Try, and Try Again
    One way in which grit will help you is by pushing you to enhance your skills in your area of interest. Regardless of how much innate talent you may or may not have,

    getting over the beginner's anxiety and acquiring new skills and techniques is key. The more skilled you are, the more freedom you have to explore.
    Think about someone who has writing talent but never learned the basics of spelling and grammar. Or someone who has artistic talent but never learned how to mix colors.
    Everyone has to start somewhere.
    Let yourself be a beginner.
    Learn from others who went before you. And never let the learning stop.


    5. Carry On Through Fear and Failure
    Grit will also push you to overcome fear of failure. Fear of failure is a giant obstacle to creativity. It can completely paralyze you and prevent you from creating altogether.
    Fear of failure is perpetuated by the fact that we usually only see other people's successes.
    We usually only see their final product. We don't see all the years they spent honing their skills. We don't see all the rough sketches and first tries and abandoned starts that happened along the way.
    And we usually only see the successful creations. We don't see the failures. All painted over canvasses or gessoed over sketchbook pages. 

    Even if it's mostly invisible, failure happens to all of us. In order to have a chance of success, you must be willing to risk failure and find ways to work through it.
    I always tell my students, "Artists are problem Solvers." Once you embrace failure, there are no limits to what you will dare to try. At that point, what do you really have to lose?

    Some of my best works have been created from failures. When a problem arises, it forces you to find a solution and ask questions. This is when artistic growth occurs.
    My favorite book on this subject is Art And Fear by David Bayles and Ted Orland. (A must read, actually.)


    6. Begin Again, and Again, If Needed
    Sometimes you might get an inkling that you are pouring your heart and soul into a project that is headed Nowhere and Fast. 

    But it can be really hard to admit this fact to yourself when you've put countless precious hours into your work of a lifetime.
    However, there are times when moving on and letting yourself start over truly is the best thing to do. The more you accept failure as an expected part of the process, 

    the easier it becomes to admit that you have landed on a no-go and the easier it becomes to start fresh.


    7. Try Many Things
    And while we are on the topic of starting over, let me point out that creativity is not monogamy. You don't need to find ​'the ONE​'. You don't need to settle on any one given idea or solution or project and stay painfully focused.
    As a matter of fact, one of the best ways to boost creativity is to challenge yourself to come up with MANY possible ideas and ways to fix the problems. Challenge yourself to come up with a range of new ways of working. 

    If you typically use a lot of blue, hide it! Challenge yourself to try new color schemes. If you don't draw, do daily contour drawings in a sketchbook, etc. For instance, create the same image in watercolor, collage, and a drawing.


    8. Expose Yourself To New Work In Your Medium or Subject Matter, Or Not
    To keep trying out new possibilities, your brain needs stimulation. One way to incite creativity is to expose yourself to ideas and work by other artists. I often have my students choose a famous artist's painting and copy it. 

    This doesn't mean that you'll become a copycat. Instead, you can collect ideas from multiple sources and then put them together in a way that's unique to you. 

    Look at how they handled their subject, what mediums, and also take time to look at the Elements and Principles of Art to see how they handled them.
    Other artists' work can serve as a spark that ignites you to think of a new way in handling your own creative vision. 


    9. Expose Yourself To New Environments
    There's also something about exposing yourself to a new environment that entices your brain to make new connections.
    I've noticed that whenever I go on a trip (short or long), I come back with a plethora of visual images, and photographs to work from. It's pretty much a given that as I make my daily trip to work (about 45 minutes) 

    I will leave early and go down the back roads. I often photograph the early morning landscape with my iPhone.​ Many of these images become paintings. 


    10. Surround Yourself With Other Creative People 
    And then there are the people who inhabit your environment. You know that cliche about being the average of the five people you spend the most time with?
    Enough said. Embrace new discussions, meet new people, join new groups, take a class out of your comfort zone , and try new resources.​ For me, being an extreme introvert, it is difficult, but I feel 

    much more rewarded when I do get out of my own comfort zone. 


    11. Take Pause, Relax!
    So we have established that your creative brain needs stimulation. This comes from learning new skills and techniques, exposure to other people​'s work, and exposure to new environments.
    You also need a chance to marinate ​with these ideas. Your brain needs a chance to process and put two and two together. 

    It does this when you are sleeping and when you are relaxing. I often have inspiration come to me when I dream, or when I am driving long distances.


    12. Keep Idea Lists
    Whenever ideas do come to you, be prepared to capture them.
    Ideas have a tendency to show up at random moments when you are busy doing something completely unrelated. You might think you'll remember them later, but you won't. STOP and write them down. 

    Sometimes I even record longer versions of ideas on my cell phone.
    I keep lists of random shared websites, artist names, and ideas on my notes section of my iPhone. Sometimes I look at the list and I don't even remember seeing some of the ideas before. 

    But there they are ready and waiting whenever I need them.
    A small notebook on your desk, in your car, or by your bedside is another good way to go. I employ all of these! 
    :)


    1 3 . St e p A w a y
    Regardless of where and how you apply creativity, there will be times when you get stuck. When you don't know what to do next.
    Sometimes all you need is to create distance between yourself and your work and you will be able to look at it a moment later with fresh eyes from a different perspective.
    When I find myself asking questions about What? Where? How? 
    One rule my dad taught me always sticks in my head. He said, "If in doubt, DON'T!"


    14. Movement
    There are times when I literally just need to step away from my studio or easel for 5 minutes. But when that doesn't work, the answer will most often come to me the next morning when I'm gardening, 

     or when I take a morning walk.​ Human beings evolved to be on the move and exercise literally makes our brains work better. 


    15. Take Long Showers (or Swim)If the answer doesn't come to me when I distance myself, it will come in the shower when I'm all relaxed and away from distractions.


    16. Listen To Music
    Try listening to music, all kinds of music. Typically, I try something out of my iTunes collection. Sometimes, for me, I get inspiration from a lyric. Just one line from a song can spur a whole series! 

    The songs can also trigger past memories of people, places, and moments, which could easily increase your visual appetite. 


    17. Let Your Mind Wander 
    (I call this monkey mind.)
    Sometimes ideas come to me when I'm letting my mind wander while doing something mindless, like vacuuming, dusting, or cleaning windows.


    18. Look At A Different Point Of View
    If just stopping when in doubt, you can look for a different perspective by pretending to be someone else. What would the person you admire the most do? What would one of your fellow artists do? 

    How did a famous artist handle the problem? Have you ever seen works similar to your idea?


    19. Ask For A Critique

    Just ask someone. A friend, an art teacher, another artist,etc. Sometimes another person's fresh perspective is all you need to get inspired again. 

    Sometimes I ask an unknown observer for a different approach.


    20. When Is Your Most Creative Time Of Day?

    One other way to boost your creativity is to time your creative pursuits so that they match your chronotype.
    Are you a morning-person or a night-owl?
    I'm a morning person all the way and I noticed my creativity soared when I managed to change my schedule so that I was creating in the mornings as opposed to afternoons or evenings.
    So if you can, it really pays to take advantage of the time of day when you are at your most productive and have the least distractions.


    2 1 . Ju s t D o I t !
    With that being said, optimizing the conditions conducive to creativity is a luxury not a necessity. If you wait for inspiration and the perfect time, you might be waiting forever. 

    The best way to start is to begin right where you are and then keep going!
    Simply START creating.

     

    Stay well, Stay safe, and All the best in 2025!

    I hope to see you soon!

    Gina 

    Sunday, June 9, 2024

    Gina Louthian-Stanley- Cold Wax and Oil-NEW CLASS LOCATION-FLOYD, VA

    NEW CLASS LOCATION-FLOYD, VA

    The Happy Shack Art Studio Cold Wax and Oil Painting- 

    2 days: September 28 and 29 • 10:00 a-3:00 p.


    Discover the beautiful layers, textures, and marks that only oil and cold wax can achieve
    finding inspiration within your own marks, compositions and intuition using non-traditional ol techniques. We will explore various techniques such as working methods, substrates, drying times, opaque and transparent color, pigments and powders, blending, color schemes, glazing, solvent reduction, transfer and printmaking techniques, creating textures, adding collage and more. Plenty of demos and individual discussions. A great class for beginners and those who want a refresher with advanced options. Gina will provide cold wax, some oils, tools, and R&F pigment sticks for class use, samples of Arches Oil paper, birch panels, various mark making tools and other samples of substrates.

    Additional tools and wax will be available for sale.
    Participants are welcome to bring beverages, snacks and lunches. 

    The kitchenette in The Happy Shack will be available with refrigerator and microwave.
    279 Bobcat Trail NW, Floyd, VACall 540-763-3202 (leave a message) 
    or email Selena at selenamccolley@gmail.com with questions
    or to register.

    or Gina at lougael@gmail.com 
    Upon registration you’ll be provided a short material list.






    Friday, February 23, 2024

    Painting With Fire 2024-2025 Lessons with Gina Louthian-Stanley


    Good day friends,

    I’m super excited to be invited back for my second year as a featured artist and instructor in Painting with Fire!

    Thanks for purchasing a previous session from me.

    I hope you'll choose to purchase Painting With Fire 2024 through my affiliate link, https://tinyurl.com/bderucze. You’ll also find that link on my website www.ginalouthain-stanley.com, email, and social media as well as updates on classes and workshops. 

    BONUS: My 2024 bonus is a chance to win one of 5 creative coaching sessions with me! We’ll chat one-on-one over Zoom about any art topic of your choice for 30-minutes. I’m excited to connect and help. When you join PWF, you will also get materials discounts, a private facebook page where we can all connect and gather support, and more. 

    I look forward to sharing another year of exciting classes, great artists, and an encouraging online community. Don’t worry if you haven’t watched all of the classes from the previous season(s). You’re not behind! Think of it as instant access to a reference library with lifetime access to instruction and advice from professional artists around the world. I hope to create with you this year. 



    Here are the lessons I will be teaching:

    Intuitive Nature!

    These lessons will focus on the use of thumbnail sketching and viewfinder technique, specifically for observing and considering nature at a variety of scales. 

    We will begin in the garden looking at the flowers and foliage creating thumbnails in our sketchbooks. 

    We will then take those thumbnails and we will add color using collage and a variety of materials. 

     

     

    Lesson Two: 

    Intuitive Nature - Part 2

    From the ‘Thumb’ to the Substrate. 

    We will return to our sketchbooks from Intuitive Nature Part 1 and choose an image(s) and create on to the substrate using encaustic mediums and pigments along with 

    mixed media and a plethora of tools to create and enhance our pieces to create the cultivation and evolution of our own botanical visualizations. 






    Saturday, October 14, 2023

    Humanistic Geography: A Sense of Place Eleanor D. Wilson Museum @ Hollins University- Gina Louthian-Stanley - August-December 2023

    Humanistic Geography: A Sense of Place 

    Eleanor D. Wilson Museum @ Hollins University
    Gina Louthian-Stanley
    August-December 10,  2023

    About encaustic:

     

    I began experimenting with the ancient technique of encaustic painting 16 years ago. Encaustic painting dates to the 5th century B.C. and involves fusing together numerous layers of molten beeswax, tree resin and pigments. Each layer of encaustic medium is applied and then fused to the previous layer using a blowtorch. The surface is then scraped or scratched or rubbed with oil paints to create various effects. Unlike other paint mediums, encaustic has this sculptural, corporeal component to it.

     

    Statement:

     

    Long before I considered myself and artist, I made marks on a surface I could find, used creek-mud to draw lines, textures, patterns and an occasional structure with this abundant ‘medium’.

    I collected odd pieces of metal, rocks, insects, and just about anything that was in my environment. The sounds of peepers and the songs of birds captured my attention for hours. 

     

    ‘A Sense Of Place’, was inspired by my sustained intrigue of this natural world, these images come as often from within informed significantly by an emotional response to a place, a narrative of a place, or a biologic remembrance, etc. I am entranced in moments of elemental experiences that feel significant to remember, like a dream or recollection of place. Sometimes the forces of our world seem to align, and the rising mist of transcendent, the Humanistic Geometry: A Sense of Place, the slow-fading, graded values of the astonishing nocturnal blues lend a feeling of otherworldliness, yet something previously familiar and restful. Moments such as these are often unnoticed magic moving along the surface of an ordinary day. These are the moments constructing my work. 

    Most of us probably don’t realize just how much a place can influence your sense of who you are, or how essential it is for your inner well-being.

     

     

    Bio:

    Gina Louthian-Stanley is a Roanoke, Virginia native. Louthian-Stanley has been creating for as long as she remembers, having the good fortune to have been mentored and taught by some of the finest artists. While she has working with encaustic and cold wax artist since 2006, her most recent works are explorations in combining various mediums and techniques to create the 'atmospheric and textural' qualities, which are symbolic to her works.  She has been able to assemble bits and pieces of her lifelong learning and intimate experiences to create her own artistic style.  Louthian-Stanley's works represent the physical and emotional sensations, which carry the viewer into an intimate visual narrative.
















    Voices of Fire- Encaustic Collaborative Show-Alexander Heath Gallery November 3, 2023 opening!

    Voices of Fire- Encaustic Collaborative Show
    Alexander Heath Gallery 
    November 3, 2023 opening!


    I have been curating this collaborative encaustic show for about a year now. 
    November 3, 2023 from 5-9 PM the opening will occur!
    Please mark your calendars as this is the largest representation of a plethora of styles and techniques
    from encaustic artists from around the country. 
    My goal is to add even more artists in the future!

    A special thank you to all the artists and to 
    Ed Hettig from Alexander Heath Gallery for making this happen. 

    Encaustic is an amazing medium and it was my goal to show as 
    many of the encaustic artists that I could. 
    Come out and hear the Voices of Fire!
    Below is just a snippet of what you will see. 


    Louthian-Stanley

                                                                        Ray
                                                                             Kitts
                                                                             Neubauer


                                                                             Jolley


    Mechanic

    Quinn

    Saturday, March 11, 2023

    Painting With Fire- Essence of Mulranny 2023-2024-Gina louthian-Stanley

     Painting With Fire Link

    Hi friends,
    I'm excited to be teaching for Painting with Fire 2023! 
    Click above for more info and to register.
    Painting With Fire is a year of 52 new classes (at least one hour long) that will be emailed to you weekly!
    There are 26 well known artists who deliver 2 lessons each. (color theory and value, composition, bookmaking, paper sculpture, and more.)
    I will be teaching two classes, one hour each.
    1-Gathered Inspirations and Building Foundations and  
    2-Embracing the Journey-Creating 2-D and 3-D Works
    In my lessons, we will explore ways to take a plethora of materials including encaustic medium, mixed media, traditional and non-traditional substrates and translate them into visual artifacts and landscapes in 2-D and 3-D. Along with technical instruction that will cover working from visual images, arrangements of found objects, ephemera and papers, using encaustic, connections of metal objects and various mark-making techniques, we will explore the important intuitive aspects of art making: intent and content.
    BONUSES: Email me for support and questions. A discount on my home studio classes and more….just drop me a line to let me know you used this link. ❤️
    REGISTRATION: Check the link for all info.
    Gathered Inspirations and Foundations of Inspiration and Embracing the Journey-Creating 2-D and 3-D Works
    This will be another great year for Painting with Fire, and I’d love to have you benefit from all these amazing classes!
    As always, thanks for your support,
    Gina
    P.S.These courses are like having a library card with lifetime access to instruction and advice from professional artists around the world.
    Non-encaustic artists will benefit as well. There are insights on the business of art and other mediums.
    The best part is that these resources are available whenever you want and need them, and they never expire!
    I hope you’ll join me this year.

    Monday, November 7, 2022

    Gina Louthan-Stanley Art Classes and Workshops 2022-23 (Encaustic, Mixed Media, Cold Wax and Oil)

    CLASS LISTINGS:Gina Louthian-Stanley


    Location:  The Studio School, Roanoke, VA

    Teen and Adult Classes Offered

    Upper Level Towers Mall  

    • Adult Classes​​:

    • Cold Wax Alchemy and Open Studio Workshop                                                                                                                                                    2 days, Saturday January 14 and Sunday January 15, 2023 10:00 AM-4:00 PM                                                                                               Explore the endless possibilities of painting with cold wax and oil! Take an intuitive approach into the many uses of luminous cold wax with oil paint, pastel, mark-making tools, brushes, scrapers and more. Composition, color and contrast will be addressed, along with an exploration of visual elements such as line, shape, pattern, texture, form and depth. We will create orginal pieces and explore effects possible with the oil and cold wax medium by using it as a surface treatment to create completed paintings, collages (including copied photos), and incorporate mixed media by adding oil and cold wax with various ‘found’ tools. All skill levels would benefit from this class, especially beginners. For previous cold wax participants, Gina will offer critiques, and be there to assist in developing your visual journey. *Bring your oil paints,  Multimedia board, or recommended 8” x 8” birch boards, gessoed boards, or clayboard panels, palette paper, wax paper, paper towels, Wet Ones, and a 12” palette knife or icing spreader. Gina will bring a plethora tools to share and furnish one 4 oz.jar of cold wax and Arches oil paper and blue painter's tape. There is a materials list with other items that will enhance your experience.  Lunch breaks included. (Needs 4 to make) All levels welcome! Email Gina with questions and to confirm registration, lougael@gmail.com

    • Independant Studies in Mixed Media and Collage and Open Studio                                                                                                                         6 classes: Thursdays, January 5, 12, 19, 26,and Feb. 2, 2023    5:30PM - 8:00PM                                                                                                 In this class, we will use various mixed media and collage techniques to create art. Gina will begin each class with sharing art from various artists, past and present as  guides to inspire. She will introduce new materials and ways to incorporate them in your work. We will also explore elements of art and composition. Gina will introduce many ways to collage and use mixed media, demo and will offer individual feedback, critiques, and guidance. Bring your own collage materials (ephemera, decorative papers, etc), mixed media of choice (watercolor, acrylic, inks, etc), brushes and gel medium. Gina will also have some materials to share. All levels welcome! 

    • Email Gina with questions and to confirm registration, lougael@gmail.com

    • Teen Classes:

        Basic Drawing for Teens-Gina Louthian-Stanley

           4 Mondays, November 14th, 21st, December 5th, 12th   5:30-7PM

           (Teens 13 and up)

           In this 4-week class, we will explore exercises and very basic fundamentals and techniques of drawing, encouraging us how to ‘see’. We will          begin with contour and gesture drawings, value studies, form, negative and positive space, and perspective (if time allows). Some time                    outside of class will be needed. 

           Students will need to bring an 11” x 14” drawing sketchbook. The Canson or Strathmore 300 to 400 series is preferred, a set of drawing                  pencils (H, B, 2B, 4B, 2H, 4H), a white hard rubber or kneaded eraser, paper stumps (tortillions), a ruler, and a pencil sharpener that holds              shavings. Gina will supply other items as needed and a folio of notes. *Email Gina with questions and to confirm                                          

           registration. Lougael@cox.net Needs 4 to make, limit 10. 

    ​_____________________________________________________________________________________________________

    Location:  310 Art Gallery, Asheville, N.C.

    TBA: 

    Inquire: 

    https://310art.com/2020-workshops-in-fine-art-for-adults

    • Cold Wax Alchemy-                                                                                                                                                                        

    Tuesday March 28th and Wednesday March 29th - 10AM to 4PM                                                                                                                             Includes some materials, see below for additional supplies.

    Discover the beautiful layers, textures, and marks that only oil and cold wax can achieve finding inspiration within our own marks, compositions and intuition. We will explore various techniques, working methods, surfaces, and effects possible with the cold wax medium and oil as a surface treatment to create completed paintings. Plenty of demos! All skill levels would benefit from this class, especially beginners.

    Gina will provide cold wax, some oils, samples of Arches Oil paper, birch panels, and other samples of substrates, and some shared tools.

    Additional tools will be available for sale.

    • New Dimensions With Encaustic: Taking Encaustic 3D -                                                                                               July 10 and 11, 2023 (10AM to 4PM ET)                                                                                                                                                                                                                                                                          Pricing includes materials, tools and equipment.                                                                                                                                           Beginners welcome. And if you have prior experience with Encaustic you can enhance your skills and go to a new level with your work!. Gina will cover safety and basics of Encaustics as needed. for all participants.A totem is considered something (such as an animal or plant) that is the symbol for a family, tribe, etc., especially among Native Americans or a carved or painted form, or a person or thing that represents an idea.In this workshop we will dive right in exploring the sculptural possibilities of plaster cloth, wax and encaustic making a totem and shield which best represents your personal idea or creative desire. Rigid and absorbent when dry, plaster cloth makes a wonderful support for dimensional encaustic work. Once the form is created, we will apply Encaustic medium and fuse it to the sculptural composition using a variety of techniques. In the class, we will have a 12” disc and 12” rectangular shape to use as a base for the plaster cloth. As the structures near completion, you will learn how to add found or small personal objects into the sculptures to create your ‘totem’ and discuss ways to finish and display your totem. As we create, we will contemplate our forms and their meanings to us personally - you can even to go abstract.           Gina will bring the two forms, plaster cloth, decorative papers, Encaustic Medium and pigments, oil sticks, oil pastels, and tools.                           
    • Optional - Bring your own decorative papers, ephemera, small nails, thin fabrics, found objects, dried organic matter such as seed pods small twigs and leaves, buttons, etc. Bring paper towels, Wet Ones, and Scissors.

    • Wabi-Sabi Mixed Media Accordion and Bound Books with Gina Louthian-Stanley 2023

    10-4 pm June 6th and 7th, 2023 
    This is a great way to create enchanting, mystical mixed media works and fold and bind them into small books or journals! 

    The Wabi-Sabi aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete”. 

    Learn a new way to approach mixed media collage! We will also learn three ways to create image transfers. 

    Each participant will have access to sponge brushes, a variety of patterned, and fibrous papers, and two large base sheets of watercolor paper 

    to collage onto, gel medium, permanent waterproof pens, various inks, acrylics, and stains will be shared with the class. 

    The bookbinding materials will also be provided. 

    The first day, we will make pages and covers, the second day you will make one bound book and one accordion book. 

     

    Please bring scissors, paper towels, and wet ones. If you have these on hand: vintage papers, ephemera, feathers, beads, charms, handwritten paper, laser copies with small images 

    (3” or less to fit the base papers) You can never have enough paper!

    Beginners welcome. 

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    AT Market Gallery

    • Coming Soon:     Contact Gina for more info!